An abstract, minimalistic showpiece of late structuralist film made up of 360-degree pans across a children’s playground – and to one of the gods of his cinephilic pantheon, Anthony Mann. In concrete terms, he alludes here to a scene in Mann’s Glenn Miller Story in which black-and-white documentary material from the Second World War is in experimental film fashion nightmarishly intercut into a scene, breaking with Hollywood conventions.
Yugoslavia
Drama
44 minutes
1977
Tomislav Gotovac
Centar za multimedijalna istraživanja,
Studentski Centar Sveučilišta u Zagrebu
1993
6.2
1955
7.1
2020
0.0
1986
0.0
2017
7.1
1985
7.7
1984
6.5
2006
6.8
2023
6.6
2011
4.7
1995
7.0
2023
0.0
2018
0.0
2001
4.0
1965
0.0
1999
7.6
1993
7.0
2022
0.0
1999
5.2
0.0