1.0 / 10
(1 votes)
Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes featuring realities-within-realities as his protagonist attempts some kind of relationship with a nude woman on the screen-within-the-screen. In his struggles to “free” her, he exposes the absurd flimsiness, deceptiveness and mutability of both the cinema experience and our human dimension.
Japan
19 minutes
1978
Shūji Terayama
Tenjo Sajiki
1977
0.0
1989
6.5
1991
6.0
2012
0.0
2018
8.0
1968
0.0
1998
7.3
2016
0.0
1995
9.0
2007
0.0
2015
0.0
2020
0.0
2005
6.3
2020
6.2
2018
1.0
1990
5.5
1994
10.0
0.0
1966
5.6
2011
7.0